Showing posts with label Jim Lee. Show all posts
Showing posts with label Jim Lee. Show all posts

Saturday, April 18, 2020

Jim Lee's Deathstroke Sketch for the Book Industry Charitable Foundation

DC Comics' Publisher, and comic book megastar, Jim Lee is doing his part to raise money for the Book Industry Charitable Foundation by creating and then auctioning sixty sketches of DC characters in sixty days. Lee's 17th sketch was of none other than the dastardly Deathstroke.

Originally formed as the Borders Group Foundation in 1996, the Book Industry Charitable Foundation (aka Binc) describes themselves as "a 501(c)(3) nonprofit dedicated to assisting booksellers in need," which includes owners and employees of local comic book stores. This joint venture between Lee and Binc was created to help those comic book retailers adversely affected by the industry-wide shutdowns triggered by the current COVID-19 pandemic. For any book of comic book retailer or employee that is facing financial hardship due to the COVID-19 closures, click this link for information about Binc and what assistance may be available.

For sketch number 17, Lee decided to try something a bit different by making it the second half of a diptych when juxtaposed with the previous day's sketch of the Huntress. Posted below are Lee's Deathstroke and Huntress sketches as well as an in-progress image of the diptych as well as the completed piece.

Deathstroke by Jim Lee for the Book Industry Charitable
Foundation

The Huntress by Jim Lee for the Book Industry Charitable
Foundation

Lee bringing it together.

Lee's completed diptych

Wednesday, April 10, 2019

Revisiting DC Comics' Legendary Co-Publisher Jim Lee Sketching Deathstroke (and Doctor Doom and the Punisher), But Mostly Deathstroke!

Comic book Renessaince man: Jim
Lee
Image Source: DC Comics.com
Few in the comic book industry have enjoyed the level of success that has been attained by the legendary Jim Lee. Lee began his journey to comic book superstardom with successful runs penciling Marvel Comics' Alpha Flight (1983) and Punisher War Journal (1988). These seminal art stints allowed Lee to land his breakout job as the penciler of Uncanny X-Men (1963). Lee's art was so in demand that he was chosen, along with iconic X-scribe, Chris Clairmont, to launch a second monthly title for the ultra-popular mutant team, which was the adjectiveless X-Men (1991). Due in large part to Lee's art (plus five interlocking covers and a rampant speculator market) X-Men #1 sold 8.1 million copies, earning a Guinness World Record in the process.

Feeling as though he was not properly compensated for his contribution to Marvel's bottom line (and make no mistake, he was not), Lee joined a band of other like-minded Marvel artists to form Image Comics. Lee's initial Image contributions were WildC.A.T.S.: Covert Action Teams (1992), Stormwatch (1993), Deathblow (1993), and Gen13 (1994). Lee and his Image compatriots were more in-demand than ever, so much so that Lee was wooed back to Marvel to launch a new volume of Fantastic Four (1996). 

Lee would eventually separate his Image properties from the rest of the Image line by forming the WildStorm Universe. In addition to revamping his WildCATS and Stormwatch titles, Lee recruited A-list talents such as writer Warren Ellis and artist Bryan Hitch to create the new comics sensation known as the Authority, a super-hero team that adopted a "by any means necessary" approach to super-heroics. By 1999, the managerial responsibilities at WildStorm kept Lee from creating comics so he sold the WildStorm line to DC Comic. While DC initially published the WildStorm line separately from the main DC titles, in 2007, following the events of Infinite Crisis (2005) and 52 (2006), the WildStorm Universe officially joined the DC Multiverse as its Earth-50. After the multiverse-altering events of Flashpoint (2011), the WildStorm Universe was merged with the prime DC Universe and segments of the Vertigo line to form the New 52's Earth-0. But in 2017, Lee and DC once again enlisted Warren Ellis to write and curate a new parallel universe line of comics based on Lee's WildStorm Universe anchored by the new title, The Wild Storm (2017).

Lee currently serves as Co-Publisher and Cheif Creative Officer of DC Comics and still provides art for special DC projects. In recent years, Lee also has taken to Twitter and Twitch to live-stream sketching sessions for fans. Posted below is one of these sessions from 2017 featuring Lee sketching and inking the likenesses of Marvel Comic's Doctor Doom and the Punisher, followed by our very own Deathstroke the Terminator. The video itself runs over two-and-a-half hours and is well worth viewing it in its entirety just to watch a true master in action. But if you are only interested in watching Lee bring Deathstroke to life, advance the video to the 1:44:20 mark. Enjoy!

Tuesday, March 19, 2019

Deadpool and other Deathstroke "Homages"

It is apropos that the phrase, "there is nothing new under the sun," has appeared in a myriad of different sources. One source feeding off of a prior one, changing the wording to fit specific circumstances, but leaving the general meaning intact. This concept can also be applied to works of art, be they visual art, music, literature, or even comic books. Do we have Superman without Hercules or Doc Savage? Does Batman exist in a world without the Scarlet Pimpernel or Zorro? Is there a Darth Vader without Doctor Doom or Darkseid? Jack Kirby didn't think so (Lookin' at you, George Lucas).

Deathstroke is no exception to this phenomenon. Many people point out the similarities between Deathstroke and Marvel Comics' Taskmaster. Given their occupations, color scheme, and George Pérez as a co-creator it seems reasonable that the Taskmaster may have influenced the creation of Deathstroke, though the time between their debuts probably rules that out. I personally see more similarities to Takao Saito's Golgo 13 than the Taskmaster, but that post has already been written.

What can be argued is the Deathstroke has inspired his share of...we'll be diplomatic and call them homages, some of which we will examine here. For the purposes of this post, an homage will have the following characteristics. One, the homage must be a "badass" mercenary that is a master of both melee weapons and firearms regardless of their personality. Two, the homage must have a mostly-full body costume with a completely covered face. And three, a really, really ominous codename that evokes impending death.

The first, and most blatant "homage" was Chris Clairmont and Steve Leialoha's Death-Stroke for Marvel Comics in 1981. More about this "homage" can found in an earlier post by clicking here.

This image just about sums it up.
The second and most obvious (and ridiculously successful) example is Deadpool. Created by Fabian Nicieza and Rob Liefeld in 1991 for Marvel Comics' New Mutants (1983) #98. Though Liefeld still denies it, Nicieza has pretty well confirmed that Deadpool, in his original form, was indeed an homage to Deathstroke, who was a favorite character of the pair (I mean Wade Wilson, really?). Deadpool would eventually morph into his the lunatic, fourth-wall breaking, "merc with the mouth" form we all know today through the subsequent work of writers Joe Casey and Christopher Priest. While I have to admit, I did enjoy both of the Deadpool films, the character itself doesn't really appeal to me. I feel the image to the left accurately captures my take on Deadpool in the form of an old school SAT-style analogy. With that being said, let's move on to the next Deathstroke homage.

Art by Dan Norton and Karl Kesel
Next up is a Deathstroke homage from Homage Studios' Jim Lee and Bandon Choi. Debuting in the pages of WildCATS: Covert Action Teams (1992) #1 was a Kherubim half-breed that threw his lot in with the Daemonite Helspont, the sworn enemy his own people. Pike was Helspont's number one agent of death and destruction against Lord Emp's WildC.A.T.S. team. 

The visual and thematic similarities to Deathstroke are more than obvious. Mercenary? Check. Master of firearms? Check. As comfortable killing you with swords as he is with guns? Check. Battlesuit with a full-face mask? Check. Use of an energy battle staff that can be separated into two smaller staves? Check. Threatening name? Pike, as in "your head on a!" Check. Pike is a stone cold brutal killer that is not beyond turning his back on a lover if she failed to follow his orders. After Flashpoint, Pike found himself in conflict with Katar Hol, the Savage Hawkman. Let's just say that Pike has more than just a passing resemblance to Deathstroke and move on. 

Deathtrap
Art by Juan Ferreyra
Jim Lee and Brandon Choi were not done "homaging" Deathstroke when they created Pike. No, they had one more menacing merc for us in the form of the dastardly Deathtrap. First appearing in Stormwatch (1993) #1, Deathtrap, aka Seamus O'Brienn, was once affiliated with a Northern Irish separatist group during the ethnic and religious conflict from the 1980s and 90s known colloquially as "the Troubles." Deathtrap later became a thorn in the side of Stormwatch, and Stormwatch member Backlash specifically. After Flashpoint, Deathtrap found himself both up against and later aligned with the New Suicide Squad. 

Unlike other Deathstroke homages, Deathtrap had some unusual powers. Not only was Deathtrap a highly skilled mercenary with guns and melee weapons, but Deathtrap could also instantly fashion firearms out of whatever materials were at his disposal. As apparent from the image to the left, he once created a gun made from wood and another one from, of all things, floor tiles. Deathtrap is without a doubt one of the stranger Deathstroke homages.

One of the newest Deathstroke homages came to us from Rob Liefeld (there's that guy again), Joshua Williamson, and Eduardo Pansica and is the only one on this list that has actually faced Deathstroke in combat. In Deathstroke (2011) #13 the assassin Deadborn was hired to take out Deathstroke himself. Deadborn was created in a government lab that attempted to create another super soldier after they created Deathstroke. Deadborn was considerably larger and stronger than Deathstroke and highly durable causing him great difficulty when engaging him one-on-one. But Deathstroke, with the aid of Zealot, got the upper-hand on Deadborn ending the conflict by cutting off his arm.

Dearborn vs. Deathstroke
Art by Eduardo Pansica

If anyone looks hard enough, it's possible to examine almost anything to the point that the inspirations that spurred it into being become apparent. Deathstroke the Terminator has undoubtedly inspired a number of creators to come up with their own badass assassins. Death-Stroke, Deadpool, Pike, Deathtrap, and Deadborn are just the ones that came to my mind first. It's even getting to the point that Deathstroke's homages have homages (Red Tool? Death Masque? anyone?). In any event, if there truly is nothing new under the sun, then I suppose (Deathstroke) imitation really is the sincerest form of flattery. Deathstroke...often imitated; never duplicated.