Showing posts with label Carlo Pagulayan. Show all posts
Showing posts with label Carlo Pagulayan. Show all posts

Tuesday, April 9, 2019

Deathstroke In the House...Ad: Part 4: The Terminus Agenda

This edition of Deathstroke in the House...Ad takes a look at DC Comics' in-house ads for "The Terminus Agenda" story arc written by Christopher Priest and Adam Glass. As always, for best viewing results, open the images below into their own tabs.

The one-page ad posted below, teasing a schism within the Teen Titans, used cover art from Teen Titans (2016) #29 by Carlo Pagulayan, Jason Paz, & Ivan Plascencia. 

"The Terminus Agenda" one-page house ad.
Art by Carlo Pagulayan, Jason Paz, & Ivan Plascencia

DC also ran a two-page version of the add that includes an issue checklist to the story arc, which features cover art for Teen Titans (2016) #28 by Carlo Pagulayan, Jason Paz, & FCO Plascencia.

"The Terminus Agenda" two-page house ad.
Art by Carlo Pagulayan, Jason Paz, & FCO Plascencia

Friday, April 5, 2019

Deathstroke Trades the Ikon Suit For Pink Bunny Slippers, And It's AWESOME!!!

This post will be short and (too) sweet. Deadpool comics get lauded for their (supposed) humor, but the image posted below from Deathstroke (2016) #42, (the second part of the Terminus Agenda) written by Christopher Priest and penciled by Carlo Pagulayan, made me laugh so hard that my eyes watered when I first saw it. I'm not going to give any story details for fear of spoiling an arc in-progress but given Priest's penchant for multi-level storytelling, the overall tone of the issue, and the characters involved in the scene below, this panel hit the target hard as both irony-laden sight gag and sinister, next-level mind-game. I mean, pink bunny slippers? But hey, Slade can make almost anything work.

Not your typical slumber party guest making himself feel a little too
at home.
Art by Carlo Pagulayan

Wednesday, February 20, 2019

TOOLS OF THE TERMINATOR: A Sword Called...Deathstroke!

The Deathstroke
Art by ACO
Since Deathstroke the Terminator's debut in the pages of The New Teen Titans (1980) #2, there has been at least one constant companion (with the exception of stints during the New 52) for Slade Wilson and his business of blood. That faithful companion is none other than his iconic battle sword with the yellow/orange cross-guard. Over time, this sword has become as closely associated with Deathstroke the Terminator as the trademark bifurcated color pattern of his mask so I thought that it was time to take a closer look at this infamous instrument of death.

When Christopher Priest took the reigns of the Deathstroke (2016) title as part of DC Comics' Rebirth publishing initiative, he not only returned the sword itself, which had been missing for much of the "New 52" and "DC You" runs, he greatly expanded its history and its connection to Slade himself. On Priest's own website, he wrote detailed new information including the origin of the sword and how it came to be owned by Slade (much of this information can also be found nearly word-for-word in dialog from Deathstroke (2016) #9). Priest wrote about the sword as follows:
Deathstroke's sword was originally named "Scrymgeour." Eòsaph Mar cut down a thousand of King Charles' men with it after Jenny Geddes threw her stool at the head of the minister in St [sic] Giles' Cathedral, inciting the Bishops' Wars. Or, at least, that's the story Deathstroke told. One of dozens. Slade Wilson actually won the sword from a rich collector in Glasgow with a full house, queens full of nines. An antique Grete war sword the blade was forged of three seperate pieces hammer-welded together, the bottommost a flattened diamond cross-pattern. The blade became mangeled during the "Judas Contract" incident and HIVE re-cast it in Type-II, or "Volatile," Promethium—a dangerous mutagen capable of absorbing unlimited amounts of energy—which Deathstroke  stole from S.T.A.R. Labs. It is suspected that particle bleed may have played a role in activating dormant metagenes in Slade's children. The blade cannot be damaged or destroyed by any known means.
An additional piece of information about the sword was revealed during a flashback scene in Deathstroke (2016) #9 when one of the other card players explained that the sword was eventually named "Deathstroke" as illustrated in the image below.


Slade Wilson seated at the bottom of the page...and the rest is history.
Art by Cary Nord

Slade used the sword for years, but it was all but destroyed during the events of the "Judas Contract." As described by Priest in the quote from above, when H.I.V.E. repaired the sword they added the super-metal Promethium giving it extra-physical properties (think of Promethium as a combination of Marvel Comics' Adamantium and Vibranium). The sword became virtually indestructible and capable of cutting any substance. It also gained incredible energy absorption abilities, the limits of which have yet to be seen. The sword's new abilities are illustrated below.

Deathstroke's Promethium sword is capable of cutting Superman
Art by Carlo Pagulayan

The sword can easily handle Superman's powerful heat vision.
Art by Carlo Pagulayan.

So to recap:
  • The sword was originally called Scrymgeour, named for the medieval Scottish clan to whom the warriors that wielded it belonged.
  • The sword was eventually renamed "Deathstroke," and was, therefore, the inspiration for Slade Wilson's professional nom de guerre.
  • Slade won the sword in a card game. The sword-winning hand was a full house of queens and nines.
  • The sword's extra-physical properties, granted by the super-metal, Promethium, make the sword indestructible, capable of absorbing massive amounts of energy, and may be partially responsible to the emergence of superpowers in Slade's children, Joseph (Jericho) and Rose Wilson.

Wednesday, February 13, 2019

Priest's Pastiches Part Two: Death Masque

Death Masque (with a "q)
Art by Fernando Pasarin
& Carlo Pagulayan 
Christopher Priest's current run on Deathstroke (2016) is easily one of the finest that the character has ever had. The most recent story arc, "Arkham," could be accurately described as equal parts action adventure and gaslit head trip. But Priest's "Arkham" introduced a pretty cool, yet familiar (and I mean really familiar) new addition to the Deathstroke supporting cast in the form of Death Masque ("with a 'q'").

To set the stage for Death Masque's debut without spoilers, I'll just say that Slade found himself a patient/inmate at Arkham Asylum after being declared criminally insane. Once inside, Slade is drugged to the extent that his reflexes and rapid healing abilities are compromised, In addition, even though Slade can still hear Wintergreen's simulated voice via an implant containing his Ikon Suit AI, he was told repeatedly by Arkham staff that the implant doesn't exist and instead the voices that he hears are nothing more than hallucinations. During a holographic virtual group therapy session with some of Arkham's most notorious residents (Mr. Freeze, Dr. Destiny, Prof. Hugo Strange, Victor Zsasz, Tweedle Dee and Tweedle Dum), session leader, Dr. Candace Evans, asked Slade if he could hear Wintergreen at that moment. Slade replied that his combat AI implant was not compatible with the group therapy system, making it appear that he was making excuses with his sanity looking to be further in question. But one member of the therapy group appeared to be more than a little out of place amongst Gotham's murderous elite, was a young man known only as Devon.

Devon began the session having a bit of fun (at least unwelcomed by Dr. Evans) by assuming the virtual form of Harley Quinn. Devon assumes a his "true" form and claims to the group that he has been in hiding inside Arkham for 87 years, with the exception of his recent "zapping" to the planet, Pulor where he was the subject of, what one must assume was unwanted experimentation. Later in the session when Slade asked the group that if given the chance, would anyone not kill him, only Devon raised his hand in the affirmative. Later when trying to escape, Slade encountered Devon, who was also keen to escape. Upon reaching the asylum grounds, both Slade and Devon were caught in an apparent Zeta beam and transported to who knows where.

Death Masque after accidentally
scaring an old man to death.
Art by Fernando Pasarin
When we next see Slade, he is laying on the floor of his cell dazed from the drugs used to pacify him. Dr. Evans visits his cell to check up on him. Slade asked the doctor how he got back to Arkham, but she informed him that not only had he not left Arkham, but that he had been there for 23 straight days. Slade told Dr. Evans that he had been gone to two weeks fighting the Pulorians with Dev, only for her to ask, "Who's Dev?" To prove he is not insane, Slade guided Dr. Evans and a security force along the route he used to escape, only this time there was a brick wall blocking the way. At this point, Slade was questioning his own sanity. But Dev...well...

Dev is next seen very much on the outside of Arkham Asylum searching for Deathstroke, but he is wearing a strange black and white amalgamation of Deathstroke's costume with a suspiciously looking ill-fitting cowl, not unlike that of Marvel's own resident #*&%@$$, Deadpool, and is calling himself Death Masque ("with a 'q'"). Death Masque next locates Slade's son-in-law, Hosun, (but not before he inadvertently triggered an old man's heart attack by appearing full costume in his bedroom due to breaking in a house at the wrong address) to aid in his search for him and the rest of the story can be found in Priest's recently completed "Arkham" story arc.

Death Masque is definitely the most "meta" character that Priest has introduced into Deathstroke's mythos. With his quick quips and his propensity to break the fourth wall, Death Masque is an obvious parody of Marvel Comics' Deathstroke rip-off, Deadpool. But Priest's use of Death Masque works at the story-level and at the meta-commentary level as well. Priest uses his own Marvel past to reference his stints on both Deadpool and Black Panther to really great comedic effect, which a title like Deathstroke needs from time-to-time. One particular battle scene, pictured below, is such an overt meta-reference to Priest's own Deadpool writing debut, that Death Masque himself ponders the possibility of a Marvel lawsuit just for mentioning it. Other meta-zingers include declaring"Wakanda forever," after calling Dr. Evans "hot," addressing Deathstroke, "Mr. Liefold," as an obvious nod to Deadpool's "creator" Rob Liefeld, and even while criticizing Slade himself after they both got caught in a Zeta beam by declaring that, "This is why you'll never get a movie!" I won't spoil the remainder of Death Masque's misadventures with Deathstroke as "Arkham" concluded, but let's just say I can't wait for more of Death Masque's brand of...heroics? We'll go with heroics.

Death Masque channeling Christopher Priest and his Marvel past.
Art by Fernando Pasarin Carlo Pagulayan

Monday, February 4, 2019

Priest's Pastiches Part One: The Red Lion

President Matthew Bland of Buredunia
Art by Carlo Pagulayan
After a celebrated tenure at Marvel Comics, writer, Christopher Priest, came aboard the re-launched Deathstroke title in 2016. In his first issue, Deathstroke Rebirth (2016) #1, Priest (with penciler, Carlo Pagulayan) introduced a new on-again, off-again ally/client for Slade in the form of the despotic President-for-Life of the small African nation of Buredunia, Matthew Bland, aka "Ja Zaki," aka the Red Lion.

At first, it seemed that the Red Lion was simply Priest taking a good-natured shot at his former employer and the character with whom he was so closely associated: The Black Panther. The similarities were obvious; intelligent leaders of African nations that wished to avoid wider global contact, who also took on alter egos inspired by predatory big cats, and donned suits of armor derived from super metals with extraordinary properties. But the similarities end there as the Black Panther and The Red Lion are entirely different characters.

When we first see Bland, he had hired Deathstroke to rig a Congressional election in favor of the incumbent, Dennis Hargrove, as Hargrove regularly worked to block US intervention in African nations like Buredunia. Without US interference, Bland was free to further consolidate his presidential power by orchestrating the ethnic genocide of Islamic rebels. 

Another reason for Deathstroke's presence in Buredunia was to fulfill a contract on the life of the Clock King, who was under Bland's protection. Once Bland was assured of Slade's compliance in the Hargrove election, he then allowed Deathstroke to pursue the Clock King, but not without his hand-picked escorts. As Deathstroke and the escorts reach the Clock King's location, Bland's men begged for their lives and the lives of their sons because Ja Zaki could not have any witnesses that he broke his promise to protect the Clock King nor could he allow their sons to grow up to one day seek revenge. An unsympathetic Deathstroke told his escorts that they had killed their sons the second they put on their uniforms to serve their president.

Slade entered the building Where the Clock King was held, but just as Slade was about to land the literal death stroke, Clock King bought himself some valuable time when he uttered the word "Kenilworth," which was a code word that meant that someone that Slade cared for was in mortal danger and needed to be rescued. Clock King informed Deathstroke that this "loved one" was being held close by.

Slade left the Clock King and demanded all the cash the men had as payment on a contract to protect the escorts and their families from Bland. With further intel from the Clock King himself, Slade made his way to the rebel camp that was holding his "loved one." The rebels were aware that Bland had often hired Deathstroke, so Slade removed his Promethium armor and placed it on a corpse so that his escorts (and new clients) could prove that they had turned their backs on Ja Zaki because they claimed that Bland had their sons killed, thereby gaining entry to the rebel camp. Deathstroke, without his armor, would infiltrate the camp and rescue a rather perturbed Wintergreen.

Wintergreen told Slade that when he was captured, those responsible also took his old weapons locker. At the bottom of this locker was the prototype Ikon Suit. After Slade donned the suit, Wintergreen shot him to charge the suit, showed him to a motorcycle in storage, and the two old friends made their escape. When they met up with Slade's escorts, the corpse they had used to fool the guards was gone. The escorts told Slade that they threw the corpse into the river bed, along with Slade's Promethium armor to throw the rebels off their trail. Deducing that the Clock King would next move on Ja Zaki, Deathstroke, Wintergreen, and the escorts raced back to the presidential palace.

The Red Lion in the Promethium armor
Art by Cary Nord
Slade's contract with the escorts required him to save Bland from the Clock King as his death would further destabilize Buredunia, putting the escorts' families in danger. Deathstroke killed the Clock King, fulfilling that contract and threatened Bland that he would be back to deal with him if any harm came to the escorts or to their families, thus fulfilling that contract. Bland was furious with Slade as Congressman Hargrove had committed suicide (after Slade had mailed him evidence of his homosexuality, which would have ended his political career). Deathstroke pointed out that his contract was for Hargrove's re-election, not his continued existence, and thus that contract was also fulfilled.

Despite the coming US intervention to his country, Bland had accomplished his real objective for which he was handsomely paid; forcing Slade to operate in the Ikon Suit. Furthermore, Ja Zaki recovered the lost Promethium armor and customized it to better suit his Red Lion persona. Adding new features to the armor (such as rocket boots based upon the designs of Steel) the Red Lion has accomplished some impressive feats including rescuing Deathstroke from Federal custody, acquiring an aircraft carrier formerly owned by a drug lord, defeating the Justice Leaguer, Cyborg, in combat, and manipulating the League into looking like a belligerent, aggressor to the entire world for "attacking" his small African nation.

The Red Lion freely admits that he and Deathstroke are not friends, but one has to admit that things sure get interesting when these two get together (professionally, of course).

Thursday, January 31, 2019

TOOLS OF THE TERMINATOR: The Ikon Suit

When the character designs for the DC Rebirth Deathstroke series by ACO were released, it was assumed by many that the new, streamlined look was simply a cosmetic choice designed to differentiate the series' look from the heavily armored, Liefeldish motif used in prior series. But, in issue #2 of Deathroke (2016), the world was introduced to the "Ikon Suit."

The Ikon Suit was designed by Deathstroke's former special ops associate, David Isherwood. Once Isherwood presented the prototype suit to him, Slade casually dismissed using it, instead choosing just to store it in a footlocker. Isherwood would go one to perfect a version of the suit, which he used to fight crime in Canada as the hero Doctor Ikon. Isherwood's completed suit would find its way to Jericho, Isherwood's former lover, after Isherwood's apparent suicide. Jericho continues to use Isherwood's own suit for his own superhero activities. Slade would later be manipulated into donning his prototype Ikon Suit complete with an artificial intelligence system programmed with his old friend, Wintergreen's, voice and personality, which Isherwood included simply to irritate Slade. Deathstroke now wears an upgraded version of his Ikon Suit.

According to the encyclopedia entry on the DC Universe streaming service, the “'Ikon' suit absorbs kinetic energy and blocks it, making it impervious to bullets or the fist of a superhuman opponent."

The Ikon Suit in action against Superman
Art by Carlo Pagulayan

The FANDOM-hosted DC Database provides even more details:
The Ikon Suit is a gravity sheath, a point defense system which creates a gravitational tidal effect: the greater the surface area, the weaker the defense shield. The suit is virtually impenetrable against anything around the size of a human fist. It is controlled by gestures — along with the EEG (Electroencephalography) leads in the mask. By overclocking the system, one can even attain flight. The suit also has a sophisticated A.I. programmed into it. The Ikon suit also has a major drawback: each suits' programming can be manipulated by any other suit with the master programming. This allows one Ikon suit user to activate or deactivate other suits at their discretion.
Another fault point of the Ikon is it's [sic] Gravity Sheathe can be disrupted and penetrated by Inertron, a heat and light absorbent material that has anti-gravity properties which easily enable it to penetrate it's [sic] point defense shield. Dr. Isherwood developed the Ikon Suit for Deathstroke. He gave the prototype a glance and tossed it into his footlocker, not taking their work seriously at first. A more advanced version of the Ikon Suit is currently worn by Slade, while Jericho proceeded to use the model that Ikon wore.
In any event, Deathstroke's Ikon Suit is one of the cooler additions to the Terminator's mythos.


UPDATE: This post was originally titled "Ikonic: Deathstroke's Ikon Suit."

Tuesday, September 20, 2016

DEATHSTROKE COVERED: Carlo Pagulayan's Deathstroke (2016) #1

Today's featured cover is a recent one, but also one of the best ones I've seen in quite a long time. Deathstroke penciler, Carlo Pagulayan put together an instant classic for Deathshtroke (2016) #1. Featured below is the cover both with and without the title graphics.