Saturday, February 9, 2019

Kaiyodo's Revoltech Amazing Yamaguchi 011 DEATHSTROKE Figure

I know that I profiled a Deathstroke figure not that long ago, but I just ran across this one and couldn't let this opportunity to share some info about one of the greatest bits of merch I've ever seen. On January 25, 2019, Kaiyodo released the 11th figure from its Amazing Yamaguchi line that features everyone's favorite assassin, Deathstroke. 

This figure, designed by the legendary Japanese toy sculptor, Katsuhisa Yamaguchi, and seems to have been based upon Deathstroke's Promethium suit, but differs just enough to feel like an original look. It measures 170 mm (about 6.7 inches) and has 46 points of articulation. In addition, the figure's movable joints utilize the Revoltech construction, which gives the figure both added stability and positional movement allowing for more action-inspired posing. Judging from the images below, the Revoltech figures can faithfully reproduce the savage action imagery from the printed page.

This striking figure is mid-priced, including tax, at ¥ 7,538, or just under $70 US if you order from Kaiyodo, but can be found online from US sellers ranging from $61 to over $100, so be sure to shop around.



Images Source: Kaiyodo

Friday, February 8, 2019

The Terrible Tale of Marvel Comics' Death-Stroke

Yep, Death-Stroke just said that $#!+.
Art by Steve Leialoha
If imitation is indeed the sincerest form of flattery, then Marvel Comics writer, Chris Claremont must have really loved Deathstroke. In 1981, Claremont was more than five years into his seminal run on Uncanny X-Men (1963), which had experienced a revival and was one of the most popular and best selling comic book titles of the late 1970s and into the early 80s. 

But in the fall of 1980, Marv Wolfman and George Pérez relaunched DC Comics' Teen Titans with the New Teen Titans (1980). Wolfman and Pérez returned popular DC teen characters such as Robin, Wonder Girl, and Kid Flash in addition to a newly renamed Changeling, the angst-filled Cyborg, the dark and mysterious Raven, and the alluring alien sex-symbol, Starfire. And by issue #2, Wolfman and Pérez introduced an extremely charismatic, one-eyed, Terminator in blue and orange battle gear. The popularity of the New Teen Titans heroes (and a certain bad-ass villain) skyrocketed the title to the top of the sales charts and made itself serious competition to Claremont's band of mutant heroes.

By 1981, in addition to his duties on Uncanny X-Men, Claremont also wrote Marvel's Spider-Woman (1978) title. In Spider-Woman #39, Claremont decided to poke a little fun at his "distinguished competition" by lampooning Wolfman and Pérez's breakout villain, Deathstroke. Claremont's "master assassin," Death-Stroke (the hyphen means it's original), was contracted by Yakuza gangsters to murder Dan Ishima, a friend of Spider-Woman's alter ego, Jessica Drew. To assist Death-Stroke in his deadly work is his murderous crew of mercenary assassin named, the Terminators (that's correct: Death-Stroke and his Terminators). Once Spider-Woman arrived on the scene and engaged Death-Stroke in hand-to-hand combat, she made relatively quick work on him, despite his use of self-described "snazzy moves," and an always dangerous, "energy blade" that was capable of slicing a steel girder in twain. Death-Stroke would not make another appearance until his final one about a decade later in 1991 in the pages of Captain America (1968) #395 where he was killed while auditioning for a spot in the Red Skull's Skeleton Crew. That's right, Death-Stroke died during a job interview.

Whether it's his cleverly (?) hyphenated name or the ease of his defeat at the hands of Spider-Woman, Death-Stroke was clearly Claremont having a bit of fun at Wolfman, Pérez, and DC Comics' expense. Marvel apparently got the joke as evidenced by his ridiculous death. But I suppose as a parody character Death-Stroke isn't the worst I've seen. I mean he's no Red Tool...or Death Masque for that matter (I know; I'm sorry). In any event, enjoy the eight panels of glory that was Death-Stroke vs. Spider-Woman posted below.

Art by Steve Leialoha

Thursday, February 7, 2019

DEATHSTROKE COVERED: So Grateful (Dead) for Dave Johnson's Deathstroke (2016) #40 Variant

WOW! Deathstroke (2016) #40 was released yesterday and I'm still basking in its figurative glow. But speaking of glow...ing in the dark, this issue also featured a Grateful Dead-inspired neon, psychedelic variant cover by the dynamic Dave Johnson that would make Jim Steranko proud. Why do I get the feeling that this cover will soon be a black light poster? This far-out cover is pictured below both with and without title graphics.


Wednesday, February 6, 2019

THE TERMINATOR TAKEAWAY: Teen Titans: The Judas Contract (2017)

This post may be a few years too late, but I recently had the opportunity to re-watch DC Universe Animated Original Movies' 28th offering, 2017's Teen Titans: The Judas Contract. Unlike 90% of folks with much bigger digital platforms, I fully understand that I am not even remotely qualified to review films, so I'm simply going to treat this post as more of a commentary.

Teen Titans: The Judas Contract is an animated adaptation of Marv Wolfman and George Pérez classic 1984 Tales of the Teen Titans storyline of the same name (Tales of the Teen Titans #s 42 - 44 and Annual #3), and is also a continuation of the story that began in the 2013 DC animated film Son of Batman. Those of you who have not yet seen the film or are unfamiliar with the classic Judas Contract story may wish to stop reading this post now as spoilers will appear below.


SPOILERS BELOW!! SPOILERS BELOW!!









For those of us familiar with the source material, it is strange to see the Damian Wayne Robin and the Jaime Reyes Blue Beetle in this context, even though a verbal exchange between Damian and Deathstroke (recounting the events of Son of Batman) does seem to somewhat validate Robin's involvement. It is also puzzling that Brother Blood and his Chuch of Blood appear in this film as the church was merged with H.I.V.E. for no other reason than to justify Blood's role as the film's big bad rather than Deathstroke. It seems to me that the story would have a bit more emotional resonance were Deathstroke the main villain as he was in the source material, but then again I am biased toward Slade. Deathstroke's son, Jericho, was even relegated from an important character making his big debut, to a blink-and-you'll-miss-him Easter Egg, though this was somewhat remedied by a post-credits scene.

The central plot points of the original story are still present in this adaptation. A troubled Terra is taken into the Titans' fold, though most of the Titans, save a smitten Changeling/Beast Boy, are cautious of her stand-offish nature. Terra is revealed to the audience to be a traitor to the Titans in the service of Deathstroke. Though she is definitely enamored with Slade, her sexual advances are deflected by him as he strings her along with promises of a true and full relationship after the job of destroying the Teen Titans is done, unlike the original version where it is clear that their relationship is a sexual one. One hallmark of the comic's version of this story that was wonderfully recreated in the film was the iconic "super window jump" scene as Deathstroke crashed through a plate glass window to ambush Nightwing in his civilian identity leading to what was easily the best fight scene in the entire film.

Any analysis of this film would be incomplete without mentioning some key performances from the voice cast. Deathstroke was brilliantly brought to menacing life by the late character actor, Miguel Ferrer, in one of his final roles. The talented Christina Ricci also masterfully portrayed Terra as both heartlessly ruthless and emotionally fragile. Stuart Allan is also to be commended for making Damian Wayne, a character I personally find difficult to stomach, sympathetic and, dare I say, likable.

Teen Titans: The Judas Contract is a flawed film that at times suffers from being stuffed into a box of animated universe continuity that just doesn't fit. Story elements and characters that were randomly added, or fundamentally changed do little to contribute to the overall enjoyability of the film. But with the basic plot from the source material intact, strong voice performances for key characters, and some pretty cool action sequences, Teen Titans: The Judas Contract can still be a pretty fun way to spend a weekend afternoon.

Tuesday, February 5, 2019

Deathstroke in 2012's Cryptozoic DC Comics: The New 52 Card Set

As part of the effort to promote DC Comics' New 52 publishing initiative, Cryptozoic Entertainment produced a set of trading cards that featured the revamped DC characters that would star in the first wave of relaunched titles. This set was composed of 61 base cards with 1 checklist, 9 Binder Bonus cards, 9 Lanterns cards, and 9 Work-in-Progress cards. Base set card #17 featured everyone's favorite mercenary, Deathstroke. The front and back card images for Deathstroke's card are shown below.


Monday, February 4, 2019

Priest's Pastiches Part One: The Red Lion

President Matthew Bland of Buredunia
Art by Carlo Pagulayan
After a celebrated tenure at Marvel Comics, writer, Christopher Priest, came aboard the re-launched Deathstroke title in 2016. In his first issue, Deathstroke Rebirth (2016) #1, Priest (with penciler, Carlo Pagulayan) introduced a new on-again, off-again ally/client for Slade in the form of the despotic President-for-Life of the small African nation of Buredunia, Matthew Bland, aka "Ja Zaki," aka the Red Lion.

At first, it seemed that the Red Lion was simply Priest taking a good-natured shot at his former employer and the character with whom he was so closely associated: The Black Panther. The similarities were obvious; intelligent leaders of African nations that wished to avoid wider global contact, who also took on alter egos inspired by predatory big cats, and donned suits of armor derived from super metals with extraordinary properties. But the similarities end there as the Black Panther and The Red Lion are entirely different characters.

When we first see Bland, he had hired Deathstroke to rig a Congressional election in favor of the incumbent, Dennis Hargrove, as Hargrove regularly worked to block US intervention in African nations like Buredunia. Without US interference, Bland was free to further consolidate his presidential power by orchestrating the ethnic genocide of Islamic rebels. 

Another reason for Deathstroke's presence in Buredunia was to fulfill a contract on the life of the Clock King, who was under Bland's protection. Once Bland was assured of Slade's compliance in the Hargrove election, he then allowed Deathstroke to pursue the Clock King, but not without his hand-picked escorts. As Deathstroke and the escorts reach the Clock King's location, Bland's men begged for their lives and the lives of their sons because Ja Zaki could not have any witnesses that he broke his promise to protect the Clock King nor could he allow their sons to grow up to one day seek revenge. An unsympathetic Deathstroke told his escorts that they had killed their sons the second they put on their uniforms to serve their president.

Slade entered the building Where the Clock King was held, but just as Slade was about to land the literal death stroke, Clock King bought himself some valuable time when he uttered the word "Kenilworth," which was a code word that meant that someone that Slade cared for was in mortal danger and needed to be rescued. Clock King informed Deathstroke that this "loved one" was being held close by.

Slade left the Clock King and demanded all the cash the men had as payment on a contract to protect the escorts and their families from Bland. With further intel from the Clock King himself, Slade made his way to the rebel camp that was holding his "loved one." The rebels were aware that Bland had often hired Deathstroke, so Slade removed his Promethium armor and placed it on a corpse so that his escorts (and new clients) could prove that they had turned their backs on Ja Zaki because they claimed that Bland had their sons killed, thereby gaining entry to the rebel camp. Deathstroke, without his armor, would infiltrate the camp and rescue a rather perturbed Wintergreen.

Wintergreen told Slade that when he was captured, those responsible also took his old weapons locker. At the bottom of this locker was the prototype Ikon Suit. After Slade donned the suit, Wintergreen shot him to charge the suit, showed him to a motorcycle in storage, and the two old friends made their escape. When they met up with Slade's escorts, the corpse they had used to fool the guards was gone. The escorts told Slade that they threw the corpse into the river bed, along with Slade's Promethium armor to throw the rebels off their trail. Deducing that the Clock King would next move on Ja Zaki, Deathstroke, Wintergreen, and the escorts raced back to the presidential palace.

The Red Lion in the Promethium armor
Art by Cary Nord
Slade's contract with the escorts required him to save Bland from the Clock King as his death would further destabilize Buredunia, putting the escorts' families in danger. Deathstroke killed the Clock King, fulfilling that contract and threatened Bland that he would be back to deal with him if any harm came to the escorts or to their families, thus fulfilling that contract. Bland was furious with Slade as Congressman Hargrove had committed suicide (after Slade had mailed him evidence of his homosexuality, which would have ended his political career). Deathstroke pointed out that his contract was for Hargrove's re-election, not his continued existence, and thus that contract was also fulfilled.

Despite the coming US intervention to his country, Bland had accomplished his real objective for which he was handsomely paid; forcing Slade to operate in the Ikon Suit. Furthermore, Ja Zaki recovered the lost Promethium armor and customized it to better suit his Red Lion persona. Adding new features to the armor (such as rocket boots based upon the designs of Steel) the Red Lion has accomplished some impressive feats including rescuing Deathstroke from Federal custody, acquiring an aircraft carrier formerly owned by a drug lord, defeating the Justice Leaguer, Cyborg, in combat, and manipulating the League into looking like a belligerent, aggressor to the entire world for "attacking" his small African nation.

The Red Lion freely admits that he and Deathstroke are not friends, but one has to admit that things sure get interesting when these two get together (professionally, of course).

Sunday, February 3, 2019

Deathstroke and Friends (?) Micro-Heroes: Defiance Edition

Now for the fourth round of Micro-Heroes related to Deathstroke, but this time from the "Defiance" story arc. And still, I don't know who made these.

DEFIANCE

Deathstroke

Jericho, The Rose

Kid Flash, Power Girl, Terra

Saturday, February 2, 2019

Deathstroke April 2019 Solicitations

DEATHSTROKE #42
written by CHRISTOPHER PRIEST and ADAM GLASS
art and cover by CARLO PAGULAYAN and JASON PAZ
variant cover by FRANCESCO MATTINA
“The Terminus Agenda” part two! Captured by the newest group of Teen Titans, Deathstroke finds himself powerless and restrained inside Damian’s secret prison. But when a crisis erupts, only Deathstroke stands between the Teen Titans and total disaster—can Robin swallow his pride to protect his team?
ON SALE 04.03.19
$3.99 US | 32 PAGES
FC | RATED T+
This issue will ship with two covers.
Please see the order form for details.



TEEN TITANS #29
written by ADAM GLASS and CHRISTOPHER PRIEST
art by BERNARD CHANG
cover by CARLO PAGULAYAN and JASON PAZ
variant cover by MICO SUAYAN
“The Terminus Agenda” part three! After their last mission nearly ended in disaster, the Teen Titans are coming apart at the seams. As Deathstroke’s influence over Damian reaches new heights, the team must evaluate how far they are willing to go in their war on crime. And with the Teen Titans seemingly on the brink of destruction, a new threat reveals itself. And the worst enemies of all…come from within!
ON SALE 04.17.19
$3.99 US | 32 PAGES
FC | RATED T
This issue will ship with two covers.
Please see the order form for details.

The Deathstroke Files' 100th Post!!!


It took over two years too long, but this is the 100th post here on The Deathstroke Files! Woot! Woot! (Is "Woot! Woot!" still a thing? If not I'm bringing it back just for today!) After a self-imposed hiatus of nearly 26 months, due to a major shake-up in my professional life (albeit an incredibly positive one), I'm back to blogging. 


My work-life has finally allowed me the free time to return to this thoroughly enjoyable leisure activity. I'm currently trying to return to the one post per day goal that I had when I started this endeavor, but that isn't set in stone because I want this to continue to be fun and not feel like a second job. 

To that end, I'm never going to even try to monetize this blog. I want this to be a fun, possibly informative, but most importantly an ad-free place for anyone who digs Deathstroke to enjoy without the hassle of garbage content and commercial nonsense that currently makes the internet a minefield of intrusive, disrespectful corporate crap. 

I want this to be a celebration of the characters, creators, stories, and fans of Deathstroke. I will continue to plug Deathstroke merch if I think it's cool. I will continue to promote works of Deathstroke art, from fans or professionals. I'll continue to examine and comment on different concepts and aspects of Deathstroke from all the far-flung corners of the Terminator's mythos that make us all fans in the first place.

Thank you for being fans. Thank you for viewing this blog. Here's to the next set of milestones for The Deathstroke Files.

Friday, February 1, 2019

DEATHSTROKE BY: Diego Riselli

Here is an amazing stylized Deathstroke by Italian artist, Diego Riselli. Riselli, known as "funky23" on DeviantArt, describes himself as "self-taught with Adobe Illustrator" and likes drawing in a style reminiscent of the 1950s and 60s. I strongly encourage everyone to check his full gallery out on DeviantArt as he is a special talent that utilizes a wide array of subject matter, moods, and styles.

Deathstroke by funky23, aka Diego Riselli